All posts by Scott Rylander

London-based professional photographer with a particular emphasis on theatre, commercial and portraits work.

Zombies wear Gap

A series over a year in the making, a while back I realised I’d fallen into the trap many photographers end up in in the early years after they turn pro.

I’d become so het up about things like correct framing, exposure, focus, lighting and all the other technical titbits that I was starting to lose sight of the madness that got me into this in the first place; of shooting things at random just to see what happened.

So I recruited some improbably willing models (improbable given that my pitch was: “I want to make you look ill”) who gamely stepped in front of the lens for what I like to call my raw series.

Which was all about making people look slightly brain dead and/or stoned.

Big thank yous go to Andrew, Angela, Antonio, Emma, Luke and Martin for being bonkers on cue.

Raw-001

Raw-002

Raw-003

Raw-004

Raw-005

Raw-006

Raw-007

Raw-008

Raw-009

Raw-010

Raw-011

Raw-012

Raw-013

Raw-014

Raw-015

Raw-016

Raw-017

Raw-018

Raw-019

Raw-020

Raw-021

Raw-022

Raw-023

Raw-024

Raw-025

Raw-026

Raw-027

Raw-028

Raw-029

Raw-030

Raw-031

Raw-032

Raw-033

Raw-034

Death to the Finborough

If there’s one character who pervades every scene of Sommer 14 — A Dance of Death it is, as the title suggests, Death (note for the uninitiated: it’s not a ballet — a dance of death / Totentanz / danse macabre is a mediaeval literary genre centred around the fact we all die…).

German playwright Rolf Hochhuth’s exploration of the events that led to the First World War gives us Death as a wild-eyed and innocent teenager who finds himself on the battlefields paying for the vanity of the European elite.

For the poster and advertising shoot we wanted to create imagery that conveyed three things: that Death was a German soldier, that Death was Death, and that Death was young and innocent and not who you’d expect.

Director Chris Loscher and designer Mike Lees solved the first problem by procuring a full-on German World War I outfit, complete with spiky helmet.

For making Death look like Death, it was for brilliant makeup artist Siwan Hill to work her magic and create a skull that left just enough human face behind to let us know there’s a boy back there.

And to make Death look young and innocent, we went to the font of all persons young and innocent but still old enough that you don’t need 18 child minders and security — people taking their GCSEs — for our (fantastically patient, fantastically willing and generally fantastic) model, whom I shall not name to avoid school gate ribbing.

Sommer 14 — A Dance of Death is currently playing at the Finborough Theatre in Earl’s Court.

Sommer14-001

Sommer14-002

Sommer14-003

Sommer14-004

Sommer14-005

Sommer14-006

Sommer14-007

Sommer14-008

Sommer14-009

Sommer14-010

Sommer14-011

Sommer14-012

Sommer14-013

Sommer14-014

Sommer14-015

Sommer14-016

Sommer14-017

Sommer14-018

Sommer14-019

Sommer14-020

Sommer14-021

Sommer14-022

Sommer14-023

Sommer14-024

Sommer14-025

Sommer14-026

Sommer14-027

Sommer14-028

Sommer14-029

Sommer14-030

Sommer14-031

Sommer14-032

Sommer14-033

 

 

From the back…

Ironically, about the last place you’d expect to take rehearsal shots would be on the stage of an actual theatre, least of all one as capacious as the Charing Cross.

So I got up to quite a bit of mischief doing everything I never normally get to do for the rehearsal photos of Dessa Rose, now open at Trafalgar Studios.

Those keen (and, if internet chatter’s to be believed, there are many of you) for a peek at the production images should check back in an hour.

DessaReh-001

DessaReh-002

DessaReh-003

DessaReh-004

DessaReh-005

DessaReh-006

DessaReh-007

DessaReh-008

DessaReh-009

DessaReh-010

DessaReh-011

DessaReh-012

DessaReh-013

DessaReh-014

DessaReh-015