Production shots from the London School of Musical Theatre’s 2019 season at the Bridewell Theatre, featuring Lend Me A Tenor and Grand Hotel.
The season closes on Friday.
Production shots from the London School of Musical Theatre’s 2019 season at the Bridewell Theatre, featuring Lend Me A Tenor and Grand Hotel.
The season closes on Friday.
Production shots from the London School of Musical Theatre’s Hogarth-inspired production of Lionel Bart’s Lock Up Your Daughters.
The show, which is at the Bridewell Theatre, closes tomorrow.
Production shots from the LSMT’s terribly silly A Funny Thing Happened on the Way to the Forum, which closes tonight at the Bridewell Theatre.
Production shots from the London School of Musical Theatre’s beautiful and frenzied King of Hearts at the Bridewell Theatre, which has its last performance tonight.
Production shots from the LSMT’s spectacularly silly and wondrously wide production of Jason & the Argonauts.
The show fills the Bridewell Theatre to bursting until Friday.
So last week the LSMT were spreading grunge anarchy through the Bridewell Theatre. This time it’s the indescribably mad combination of waxworks, Victorian serial killing and spacious jail cells in Redhead.
The show runs to Saturday 2 May.
So how do you shoot hip-hop choreography? By drinking two litres of water the moment you get home, as it happens.
Shots from the London School of Musical Theatre’s phenomenal and utterly anarchic take on Green Day’s American Idiot at the Bridewell Theatre.
Note that if you’re intending to see it there’s only tonight and tomorrow night left of the run.
Bringing the London School of Musical Theatre’s 2014 stay at the Bridewell Theatre in the City to a close, Spend Spend Spend tells the story of Viv Nicholson.
Nicholson, notoriously, won big on the pools with her husband in the 60s and announced that she was going to “spend, spend, spend”.
Given that she has a whole (highly entertaining) musical dedicated to her travels from rags to riches and back again, it’ll come as no surprise to learn she was true to her word. And then some.
I seem to have been shooting a lot of musicals lately.
This is good for me because shooting a musical is a bit like going to the gym. This is less good for my shoes because shooting a musical is a bit like going to the gym in inappropriate footwear.
Shots from the London School of Musical Theatre’s first show of its two-show 2014 season at the Bridewell Theatre, Violet. If you want to see it (and you should; it’s very good), the run ends tomorrow night.
Violet tells the tale of a disfigured girl who takes a bus ride to meet a faith healer whom she hopes will heal her scars, and who learns that other things are rather more important on the way.
With the London School of Musical Theatre but weeks away from their return to the Bridewell Theatre, I thought I’d revisit the second of their shows there last year, Applause.
Applause, based on the film All About Eve, is basically an instruction manual for aspiring stars who happen to be psychopaths. Think of it as Fatal Attraction meets Fame and you’re there.