It’s not often that a 130-year-old show feels brand new and utterly original, but director Thom Southerland and team have achieved just that in the marvellously colourful interpretation of Gilbert and Sullivan’s operetta, The Mikado, currently playing at the Charing Cross Theatre.
And it’s back to the Coliseum for the English National Opera’s reimagining of Handel’s Rodelinda. If you want to see this one, get down there this evening. It’s the last performance.
Production shots from the English National Opera’s production of Rossini’s The Barber of Seville. I was thrilled to be commissioned to photograph the 25th-anniversary outing of Jonathan Miller’s staging earlier this year.